'Frankenweenie': classic family film

McClatchy-Tribune News ServiceOctober 4, 2012 

Film Review Frankenweenie

Teenager Victor Frankenstein brings his beloved dog Sparky back to life in Frankenweenie.

DISNEY — Associated Press

  • MOVIE REVIEW

    'Frankenweenie'

    4 stars out of 5

    PG for thematic elements, scary images and action. Walt Disney. 87 min. 2D: Frankfort. 2D and 3D: Fayette Mall, Georgetown, Hamburg, Movie Tavern, Nicholas ville, Richmond, Woodhill.

Frankenweenie is darned near an instant classic. Tim Burton has taken the animated short that launched his career and expanded it into a vivid and moving essay on science and the love a budding middle-school scientist has for his dog.

That was the kernel of the original 1984 Frankenweenie, at the beginning of Burton's career. Burton gives that genius concept full voice in a rich, delicately textured, 3-D jewel in the stop-motion animation style.

Victor Frankenstein (voiced by Charlie Tahan) is a loner, a smart kid who spends hours in the attic, fiddling with science projects. He's pretty much friendless, save for his beloved dachshund, Sparky. Mom (Catherine O'Hara) indulges him, but Dad (Martin Short) wants Victor make some friends and take up a sport. Victor just wants to come up with a project for the big science fair at school.

Dad suggests they "compromise," and to Dad, that means "nobody gets what they want," so Victor finds himself at the plate, struggling to master baseball.

Miracle of miracles, he hits a home run. But a highlight of his young life is crushed when Sparky chases the ball into the street and is killed.

Victor, a morose, quiet kid, mourns in a morose, quiet way. Mom's reassurance that no one you ever love dies, "they just move into a special place in your heart," isn't enough. It's only when Victor sits through a demented, inspired thunderstorm lesson by his Eastern Bloc science teacher (Martin Landau) that he has his answer.

Mr. Rzykruski has made a dead frog's muscles twitch with electricity. Victor will dig up Sparky, patch and stitch him up, attach a positive and negative lead on his neck (bolts, of course) and jolt his beloved dog back to life.

Burton revels in the props and appliances Victor repurposes for his project. But he ensures that there's an animated warmth to the boy's connection to this playful goof of a mutt.

There are rival students (who look like extras from old Universal horror films of the '30s) aiming to beat Victor at the science fair, and a cute Goth neighbor girl (Winona Ryder) with a poodle for whom Sparky sparks. And there are big messages here, about what makes a child's connection to a dog so primal, about death and about science.

But it is Burton's ability to give heart to the weird, the unsympathetic and sometimes animated characters in his films that has been the hallmark of the director's career. Don't be surprised if your eyes mist over for a silly dog of clay and the stick-boy who loves him.

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