'Rise of the Guardians': a low point for DreamWorks

McClatchy-Tribune News ServiceNovember 21, 2012 

The Guardians — Jack Frost, left, (voiced by Chris Pine), North (Alec Baldwin), the silent Sandman, Tooth (Isla Fisher) and Bunnymund (Hugh Jackman) — band together to defeat Pitch.

COURTESY OF DREAMWORKS ANIMATION

  • MOVIE REVIEW

    'Rise of the Guardians'

    1 star out of 5

    PG for thematic elements and some mildly scary action. Paramount/DreamWorks Animation. 97 min. 2D only: Frankfort, Winchester. 2D and 3D: Fayette Mall, Georgetown, Hamburg, Movie Tavern, Nicholasville, Richmond, Woodhill.

DreamWorks Animation president Jeffrey Katzenberg recently lamented the dearth of holiday-themed movies this year. But in foisting Rise of the Guardians on unsuspecting audiences for the holidays, it's clear he just wanted some cover. Other holiday films would take some of the pressure off piffle.

Guardians is the worst animated movie to ever wear the DreamWorks logo.

It's based on William Joyce's The Guardians of Childhood books, about a team that includes the Bunnymund, aka the Easter Bunny, with the Aussie accent of Hugh Jackman; North, aka Santa, made all Slavic and silly by Alec Baldwin; the Tooth Fairy (Isla Fisher); and the silent, roly-poly Sandman.

They need the help of newcomer Jack Frost (Chris Pine) if they're to have a prayer of stopping Pitch Black, the night-terror voiced by Jude Law. He's seeing to it that kids across the world are giving up their belief in magic and magical figures like themselves. And he's giving them night terrors.

All the Guardians have their public faces and their commando sides. When action is called for, they team up to save childhood. Is Jack Frost worthy of their ranks? He's an imp, a bit of a rogue, more into mischief than making the world safe for dreaming.

North sees the threat that Pitch's "touch of fear" carries and summons his unruly troops.

"Now, ve get down to tacks of brass," he says, in silly Slavic. It's amusing the way this guy swears, using Russian composers' names as profanity: "Shostakovich! "Rimsky- Korsakov!"

The Easter Bunny is more militant. He packs a boomerang and a chip on his kangaroo-size shoulder.

A confused ramble across some of the same ground covered by Arthur Christmas and Monsters, Inc., it is a film more concerned with the mechanics of how Santa manages to make all those toys — he has zany, non-speaking Yeti and elf assistants — than with telling an interesting story or giving the characters anything much warm or funny to do.

Was hiring David Lindsay-Abaire (Rabbit Hole, Inkheart) really the wisest choice for writing the script?

Rise of the Guardians is harmless enough, and the lack of easy pop-culture jokes represents the post-Shrek direction of DreamWorks well enough. But this is the studio's least entertaining film. For a company that banks on building franchises of kiddie cartoons, from Shrek to Madagascar, these Guardians don't rise to the occasion — not by a long shot.

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