'Gangster Squad': a 'Magnificent Six' in fedoras

McClatchy-Tribune News ServiceJanuary 10, 2013 

GANGSTER SQUAD

Playing Mob-fighting cops in Gangster Squad are Ryan Gosling, left, Josh Brolin, Michael Peña, Robert Patrick and Anthony Mackie.

WILSON WEBB

  • MOVIE REVIEW

    'Gangster Squad'

    4 stars out of 5

    R for strong violence and language. Warner Bros. 1:50. Fayette Mall, Georgetown, Hamburg, Movie Tavern, Nicholasville, Richmond, Winchester, Woodhill.

The Old West died hard in the City of Angels. And in the years after World War II, battle-hardened veterans came home to a town "under enemy occupation," when the only way to fight off the Mob was with a six gun, your fists and the right hat.

Gangster Squad is a gang-war drama built on Western conventions, a rootin', tootin', Camel-smokin', whiskey-swillin' shoot-'em-up about a lawless period in L.A.'s history when a small cadre of cops, working outside the law, took on Mob boss Mickey Cohen in a fight for "the soul of Los Angeles."

Josh Brolin ably handles the John Wayne role, the paragon of virtue, an incorruptible police sergeant named John O'Mara who is tasked by the only honest police chief (Nick Nolte) to chase out Cohen (Sean Penn, pugnacious, ferocious).

Ryan Gosling is Jerry Waters, the cynical detective/gunslinger who will have to take sides but is going to take some convincing.

Anthony Mackie is the knife-throwing street cop from the black side of town. Robert Patrick is the aged pistolero and holdover from the "real Wild West." Michael Peña represents the city's Hispanic underclass, a kid who needs to prove himself. And Giovanni Ribisi is "the brains," the cop with the glasses and the Army-based knowledge of wiretaps. They're a regular "Magnificent Six."

"Who's the tomato?"

That would be Emma Stone, playing the "dancehall girl," the mobster's young moll "poached" by the handsome Jerry.

Zombieland director Ruben Fleischer does not do much with this pictorially that suggests "Western," but he keeps the characters iconic, the morality straightforward and the action clean. Of course, Jon Polito shows up, as he has in every gangster period piece since Miller's Crossing in 1990. Will Beall's script is peppered with character "types" — gunsels with scars and World War II-vintage machine guns — and his dialogue gives Gangster Squad an extra kick.

Insults: "He's got a smart mouth, but he's dumb where it counts."

Compliments: "Push comes to shove, kid'll stay behind his gun."

This tale, "inspired by a true story," has much in common with an earlier Nolte fedoras-and-fistfights cop picture, Mulholland Falls (1996), named for a hillside where brutal cops sent gangsters tumbling after one of their "get outta town" lectures. Brolin & Co. even pay a visit there.

All in all, Gangster Squad is a solid piece of work, and that solid-piece-of-work Brolin anchors it in the kind of square-jawed moral rectitude that makes you wish Hollywood made more real Westerns, just for him. He's fine in a trench coat and fedora, but somebody get that man a horse.

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