In Memphis, music and civil rights movements intertwine

Contributing Travel WriterApril 26, 2014 



    Where to stay: The Peabody Hotel. It's been said that the Mississippi Delta begins in the lobby of the Peabody, Memphis' most historic hotel. Within easy walking distance of many downtown attractions, it has 464 rooms and a fine dining restaurant, Chez Philippe. But mostly, it has the famous Peabody ducks, five marching mallards whose twice-daily promenades from their penthouse duck palace to the lobby fountain and back is still Memphis's best free show. (149 Union Ave.

    Where to eat:

    ■ Trolley Stop Market. A great place to go for a farm-to-table dining experience. The Trolley Stop serves locally sourced foods from an array of mid-South farmers. (704 Madison Ave.

    ■ Four Way Grill. This legendary spot is said to "nourish both stomach and soul." Wearing his trademark apron and baseball cap, 73-year-old owner Willie Earl Bates does it all, from busing tables to personally greeting every customer. One of his regulars was Martin Luther King Jr., who was partial to the catfish and lemon meringue pie. (998 Mississippi Blvd.

    ■ Central BBQ. Memphis' culinary gift to the nation has been its incomparable barbecue, and there's nowhere better to eat it than here. Ribs, pulled pork, chicken, beef, hot wings — this place has it all (with appropriate trimmings, of course). (2249 Central Ave.

    ■ If you want to try something a bit different, opt for the Overton Square Dishcrawl. Overton Square, which preceded Beale Street as the city's premier entertainment district, has reinvented itself as a culinary hot spot. On my Dishcrawl, I started at Bari Ristorante e Enotica (22 S. Cooper St., for appetizer; moved on to Local on the Square (2126 Madison Ave., for my main course, and ended up at Chiwawa (2059 Madison Ave., for the final course.

    The Square will get a boost this summer with the opening of Hattiloo Theatre, a black repertory theater company that will stage theatrical performances as well as special musical and dance performances.

    Learn more:

— Memphis proudly proclaims itself "the city of three kings" — B.B., Martin Luther Jr. and Elvis, the king of rock 'n' roll. Throughout the city, there are constant reminders of these three iconic figures who helped shape its destiny — whether through music or a commitment to human rights.

As I discovered during a recent visit, music and human rights were often intertwined.

Tennessee's other Music City

Dressed in a multicolored caftan, Ekpe Abioto, an ethnomusicologist and descendent of slaves, demonstrates the use of the talking drum, and follows that up with melodious renditions of Swing Low, Sweet Chariot and Amazing Grace on a bamboo flute.

He explains how a secret language was created by slaves planning their escape, and that much of that language was in the form of song.

"For example, Down by the Riverside was more than a rousing spiritual; it was a signal between escaping slaves as to where they should meet," he says.

Abioto was speaking to us at the Jacob Burkle Estate, one of the stops on my Heritage Tour led by his sister, Elaine Turner, who specializes in civil rights tours. Turner explains that the house, built by a German immigrant, was a key location on the Underground Railroad.

Making my way through the trap door into the dark, hidden cellar where slaves would huddle — often for days — until it was safe for them to move north made me appreciate just how dangerous an enterprise it was — not only for the slaves, but for people like Burkle who harbored them.

Leaving the Burkle House, we drove past Robert R. Church Park, named for the city's first black millionaire, before arriving at the modest shotgun home of W.C. Handy, dubbed "the father of the blues."

"Blacks laboring in the cotton fields of the Delta poured out their souls in their music, making the songs of their suffering or 'blues' the first documented music in America," Turner tells us.

Music defines Memphis, music that came rolling up the Mississippi River in waves — mournful dirges and exultant anthems alike — and got off here to stay.

You can hear it in the raucous clubs on Beale Street. You can feel it at the Memphis Rock 'n' Soul Museum, which pays homage to artists such as the Staple Singers, Booker T and the MGs, and Al Green.

You feel it again at the Stax Museum of American Soul Music, whose exhibits range from Tina Turner's gold, sequined stage costume to a saxophone retrieved from a Wisconsin lake after the fatal airplane crash that killed Otis Redding and the Bar-Kays.

You definitely feel it at Graceland — which, after the White House, is the most visited house in America, where the spirit of the King lingers on. (Through February, Graceland is mounting a special exhibit, 60 Years of Elvis.)

In Memphis, musical boundaries evaporate, creating a rich tapestry whose threads are woven from jazz, blues, soul, gospel, country and rock. Walk down Beale Street any time of the day or night and hear a wailing sax or a blues-blowing trumpet emanating from Blues City, Rum Boogie Café or B.B. King's.

Go to one of the Sunday church services and listen to a gospel group sounding like a choir of angels that have taken human form. Head out to Graceland with Backbeat Tours, and your tour guide will be a working musician who picks and strums in between telling stories.

Finally, visit legendary Sun Studio and let guide Lahna Deering, herself a singer/songwriter, show you where, on Dec. 4, 1956, the Million Dollar Quartet (Presley, Carl Perkins, Johnny Cash and Jerry Lee Lewis) made musical history.

Rebirth of the dream

However, Memphis is about more than music — much more. It was here that the civil rights movement saw some of its greatest triumphs and experienced its greatest tragedy.

At 7:05 p.m. Central Time April 4, 1968, the Rev. Martin Luther King Jr. was pronounced dead, after being felled by an assassin's bullet on the balcony at the Lorraine Motel. In 1991, the National Civil Rights Museum opened on the same spot.

In 2012, the museum closed for a two-year, $27.5 million renovation and expansion project. It re-opened April 4, the 46th anniversary of King's death. Touring the museum is a moving experience.

The 4,000-square-foot expansion includes a new entrance to better showcase the stunning 7,000-pound bronze sculpture Movement to Overcome. The piece serves as an introduction for what is to come: interactive exhibits utilizing the newest technology to tell the stories of ordinary people possessed of extraordinary courage and determination.

Still, smart technology plays second fiddle to heart-rending humanity. Exhibits are designed to achieve the utmost impact. You can crouch in the cramped galley of a slave ship used to transport Africans to the New World in the 17th century.

You can board a replica of the bus where Rosa Parks refused to give up her seat and watch history being made in a replica of the Supreme Court room where the 1954 landmark decision was handed down in the Brown v. Board of Education case.

You can hear the personal stories of lesser-known but no less important civil rights activists such as Fred Shuttlesworth and Diane Nash.

Finally you can arrive at the only part of the original Lorraine Motel left intact: Room 306, shared by King and Ralph Abernathy, and Room 307 across the hall. Both rooms have been kept exactly as they were on that fateful evening 46 years ago, and offer a chilling history lesson that can't be told in any book.

Patti Nickell is a Lexington-based travel writer. Reach her at

Lexington Herald-Leader is pleased to provide this opportunity to share information, experiences and observations about what's in the news. Some of the comments may be reprinted elsewhere in the site or in the newspaper. We encourage lively, open debate on the issues of the day, and ask that you refrain from profanity, hate speech, personal comments and remarks that are off point. Thank you for taking the time to offer your thoughts.

Commenting FAQs | Terms of Service