The Hot Nut Riveters
8 p.m. Sunday at Natasha's Bistro, 112 Esplanade. $10. (859) 259-2754, beetnik.com.
Just over 18 years ago, Guy Forsyth came to town as part of an irreverent, all-acoustic Americana vaudeville troupe out of Austin known as the Asylum Street Spankers. The ensemble would become a popular local draw in the ensuing years. But by the time the Spankers played their second date here, Forsyth had already departed for a solo career devoted to stylistically diverse and often topically irreverent roots music.
Forsyth will be back in town this weekend. But instead of showcasing his newest solo enterprise, he will be leading a new vaudeville-savvy troupe called the Hot Nut Riveters. Self-described as "Texas' Original Recession Era String Band," the Riveters avoid the more country-conscious avenues of the Spankers in favor of blues, folk, Eastern European swing and bordertown waltzes. But on the band's debut album, Moustashe Girl, those elements complement, as well as collide with, each other.
The sounds embellish the oddball characters at the heart of the band's original songs (like the hapless gasoline addict in Leadfoot Larry), enhance the authenticity of several vintage works (the 1939 Fats Waller hit Your Feet's Too Big) and re-imagine songs that originated on another stylistic terrain altogether (the 1973 Billy Preston pop-soul staple Nothing From Nothing, which becomes a brassy blues-ragtime shuffle in the hands of the Riveters).
To complete the concept of the album as a full performance piece rather than a collection of songs, Moustashe Girl slips in six spoken word vignettes between the tunes to serve as makeshift commercials. Among the lot is a 30 second bit titled True Romance that declares the band's music can be appreciated by anyone "whether you're just on a joyride or actually have some intentions."
The current Riveters lineup also features "guitar bully" Matt Smith, vocalist/guitarist Nevada Newman (another Spankers alum), upright bassist Kristopher Wade, ex-Bad Livers fiddler/banjoist Mark Rubin, banjoist/vocalist Albani Falletta and accordionist/trumpeter Oliver Steck (whose bio claims him to be a clown college graduate).
See how all of these Nuts coexist on a single stage when the Riveters set their strings in motion on Sunday at Natasha's.
After spending the better part of the summer on the road as a member of Alison Krauss and Union Station, former Lexingtonian Jerry Douglas — "Flux" to his fans — will be on his own again this weekend for a performance at KCD Theater, 4100 Springdale Rd. in Louisville that will showcase more of his visionary playing on the resonator guitar known as the dobro (8 p.m., $25-$35).
Douglas has two new recordings awaiting release this fall. One is Three Bells, a multi-generational summit of three pioneering dobro stylists — Mike Auldridge (who died in December 2012 just after sessions for the album were completed), Douglas and Blue Highway's Rob Ickes. The second record is somewhat cheekily titled The Earls of Leicester and features an all-star band devoted to the groundbreaking '50s and '60s bluegrass music of Lester Flatt and Earl Scruggs. Both recordings will hit stores on Sept. 16. Call (502) 814-4367 or go to www.kcdtheater.org.
The list of guitar heroes to creatively come of age during the '80s usually favors a host of MTV-friendly artists with arena-sized fanbases. Eric Johnson isn't a member of that club. But for over 25 years, he has assembled perhaps the most accomplished recorded body of rock and fusion inspired music of any contemporary guitarist outside of Jeff Beck. His splendid new concert album Europe Live spells that out in the alert but unflashy electric playing that highlights the opening moments of Zenland.
Johnson returns to the region on Tuesday for a performance at the Taft Theatre, 317 East Fifth in Cincinnati (8:30 p.m., $24). Call 1-800-745-3000 or go to ticketmaster.com.