Guitar in the Space Age!
Among Bill Frisell's many gifts as a guitarist is the ability to provide a vibrant new voice to the roots music of his youth. In the past, that has largely been defined through jazz standards and Americana classics. Last year's electro-chamber adventure, Big Sur, opened the repertoire to a wider stylistic array of West Coast inspirations. But on the fine new album Guitar in the Space Age!, perhaps his most accessible record in 15 years, Frisell expands his source material to include the pop, surf, twang and rock sounds that caught his ear as a teenager.
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But anyone thinking Guitar in the Space Age! is some retrofitting exercise needs to strap in and give this recording a full-length test flight. He doesn't take the melodic liberties here that he has with some of his Americana explorations (2009's Disfarmer comes to mind), but the guitarist does toy with the temperament, tone and tempo of the music to make the album's 14 songs sound like a sonic mural that is best enjoyed as a single suite rather than a composite of single-tune snapshots.
The warmth and color of Turn! Turn! Turn!, for instance, sounds both familiar and inviting. Fashioned far more after the jangly Rickenbacker 12-string electric colors that Roger McGuinn pioneered on The Byrds' hit 1965 version than the Pete Seeger-penned original, the song's lyricism is elongated to build suspense for the inevitable groove that carries the tune.
Half the fun, though, is the tune's placement on Guitar in the Space Age!, between the album-opening cover of the surf classic Pipeline (which churns along at a similarly relaxed pace until the hearty beat of bassist Tony Scherr and drummer Kenny Wollesen erupts) and the wah-wah-enhanced funk of the Junior Wells-popularized Messin' With the Kid.
One of Frisell's most trusted bandmates, pedal-steel guitarist Greg Leisz, maintains a consistently complimentary presence throughout the album, from the lazily luscious string harmonies provided on the Beach Boys classic Surfer Girl to the light, chiming interplay that propels The Shortest Day (one of only two Frisell originals on Guitar in the Space Age!). And hearing the two casually cut loose on Merle Travis' grand Cannonball Rag is big fun.
Pinning down favorites here is mighty tough. On initial listens, the top picks are a tie between a loose, psychedelic take on The Kinks' Tired of Waiting for You and an anthemic Telstar proudly rooted in groove. Both tunes signal that although Guitar in the Space Age! might work off of melodic designs from Frisell's past, the assured instrumental music that results is engineered for the future.
Walter Tunis Contributing Music Writer