TV

Commentary: Oprah's role in changing public discourse

Maria Shriver appears with Oprah Winfrey during a star-studded double-taping of "Surprise Oprah! A Farewell Spectacular," Tuesday, May 17, 2011, in Chicago. "The Oprah Winfrey Show" is ending its run May 25, after 25 years, and millions of her fans around the globe are waiting to see how she will close out a show that spawned a media empire. (AP Photo/Charles Rex Arbogast)
Maria Shriver appears with Oprah Winfrey during a star-studded double-taping of "Surprise Oprah! A Farewell Spectacular," Tuesday, May 17, 2011, in Chicago. "The Oprah Winfrey Show" is ending its run May 25, after 25 years, and millions of her fans around the globe are waiting to see how she will close out a show that spawned a media empire. (AP Photo/Charles Rex Arbogast) ASSOCIATED PRESS

As The Oprah Winfrey Show draws to a much publicized end Wednesday, one thing is clear: Al Gore may or may not have invented the Internet, Mark Zuckerberg may or may not have invented Facebook, but Oprah Winfrey most certainly did invent social media.

Like early competitor Phil Donahue, Winfrey closed the geographic gap between audience and host from the moment she took over AM Chicago in 1984. Her decision to walk among the audience made it clear that she was neither authority figure interviewer nor celebrity host. Instead, she was just another citizen who had a few questions and opinions about a wide variety of things, some of which she knew something about, some of which she did not.

Then, in November 1987, on what was now The Oprah Winfrey Show, she closed the professional gap as well. While interviewing a group of sexual abuse survivors and their molesters, Winfrey revealed that she too had been sexually abused as a child. In doing so, she shattered the fourth wall between interviewer and subject, between medium and message, between marketing and personal revelation, and the world was never quite the same again.

During the quarter-century she ruled daytime television, Winfrey's image of a talk show crept into virtually every nook and cranny of popular culture. She took as her model the kitchen table, where personal experience reigns supreme and the breaking of social silences is encouraged. Historically considered a feminine, and therefore inferior, form of information gathering and distribution, it has become a template for publishing, journalism, film, academe and, of course, television. Expertly wielding the once-verboten interviewer's tool of empathy and self-disclosure, Winfrey brought previously taboo issues such as incest, domestic abuse, sexuality, addiction, depression, AIDS and, later, various international crises into the public discourse.

More important, she turned the personal narrative into a valuable commodity.

Your life, she said to an army of guests and fans who ranged from the wealthy and celebrated to the tragically marginalized, is not just important to you and the ones you love; it is also important to me because it is important to my audience.

Which increasingly meant everyone.

Winfrey's show, meanwhile, became a kind of sociological patent office, the first stop for anyone with an idea or a product or apology to sell. With her rich alto and soulful eyes, her comfortable curves and pitch-perfect mix of hubris and self- deprecation, she was the mother/sister/wife/teacher/friend we never had, the lap that would envelop us even as the hand slapped us to attention. When James Frey lied to Winfrey, even Frank Rich, then New York Times grand pooh-bah of punditry, came on the show to give him what for.

In Winfrey, many people found peace; she forgave our sins because she shared so many of them. The self-disclosure that was so shocking in 1987 became a trope — over the years, Winfrey has revealed having a child when she was 14, engaging in an adulterous affair, contemplating suicide, having a secret half-sister and, of course, battling weight and eating issues. Rising from a poor and troubled youth to become one of the wealthiest and most powerful women in America, she offered hope and inspiration to millions, and, unlike any of her peers, her whole message focused on helping us achieve the same. Live your best life, she told us. Who doesn't want to do that?

But it's important to remember even now that Winfrey is a product and master of television. Yes, she has starred in and produced feature films, brought The Color Purple to Broadway, encouraged exposure to new authors and the classics through her book club, and created a fairly spectacular Web site.

But when it came time to figure out the next step, she didn't set up a film production company or her own publishing house; she created her own network — because television is still the ultimate form of social media, a place where you can find anyone talking about anything any time, a genre that mirrors and directs our culture like no other, a power even greater than Winfrey herself.

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