SALVISA — Warwick, the 205-year-old brick cottage that architectural historian Clay Lancaster restored and embellished with "folly" structures from his rich imagination, will be open Sunday afternoon for a rare public tour.
The open house is being given by the non-profit Warwick Foundation, which Lancaster created before his death in 2000 to care for the property and promote his many interests, which included historic preservation and cross-cultural understanding.
In additions to tours of his home, drawings gallery and two "folly" buildings, visitors can buy copies of some of the more than two dozen books Lancaster wrote. They include everything from scholarly tomes to illustrated children's books on subjects ranging from early Kentucky architecture to Asian philosophy.
The event is the first of several the foundation plans this year to help more people appreciate Warwick and Lancaster's brilliant legacy as a scholar, writer, artist and Renaissance man.
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"He had so many interests," said Paul Holbrook, the foundation's president and a friend of Lancaster. "He was driven by his interests."
Lancaster was born in Lexington in 1917 and grew up in the Bell Court neighborhood, where his father built two homes. They sparked Lancaster's interest in bungalow architecture, which led to his book The American Bungalow (1985).
He studied at the University of Kentucky before moving to New York, where he taught at Columbia University, Vassar College and the Metropolitan Museum of Art. He also was curator of Brooklyn's Prospect Park.
Lancaster wrote about architecture in Brooklyn and on Massachusetts' Nantucket Island, where he restored an 1829 house and lived for several years. He became an influential advocate for historic preservation, both in the Northeast and in Kentucky.
The New York Times said his book, Old Brooklyn Heights: New York's First Suburb, "provided the historical and intellectual ammunition for the successful argument in 1965 that Brooklyn Heights should become the city's first historic district."
Lancaster is best known in Kentucky for his photographs and research documenting antebellum homes. His meticulous scholarship added immeasurably to public knowledge of and efforts to preserve Kentucky's outstanding early architecture. His books on the subject are the authoritative reference works: Ante Bellum Houses of the Bluegrass (1961), Vestiges of the Venerable City (1978) and Antebellum Architecture of Kentucky (1991).
When a friend, architectural historian and retired Herald-Leader reporter Bettye Lee Mastin, notified Lancaster in 1978 that the Warwick property he had long admired was for sale, he bought it and moved back to Kentucky.
The property along the Kentucky River in Mercer County includes a brick cottage of superb craftsmanship built by Moses Jones, a pioneer entrepreneur, between 1809-1811. The house's elaborately carved woodwork includes basket-weave patterns on the mantels that were inspired by Jones' 9-year captivity as a child among the Chickasaw tribe in Tennessee.
Lancaster meticulously restored the Moses Jones house and added a wing for his bedroom, kitchen and library. He furnished it with Kentucky antiques, as well as art and furniture from Asia, a place he never visited but studied and wrote about in such books as The Japanese Influence in America (1983) and The Breadth and Depth of East and West (1995).
Lancaster was a vegan, a yoga enthusiast and a convert to Buddhism who, nevertheless, delighted his many friends each year with whimsical Christmas cards he illustrated.
Thanks to a windfall from the sale of farmland inherited from his father, Lancaster built two architectural "follies," fanciful structures he had delighted in drawing since childhood. The first was Warwick Pavilion, a small, elegant Georgian tea room connected to a stockroom for books he wrote and published.
The second folly is a three-story, octagonal guest house, modeled after the 1st Century BC Tower of Winds in Athens, Greece. No more than 25 feet at its widest point, the tower is a masterpiece of compact design with three bedrooms, two baths, a kitchen, studio, winding staircase and elegant, elliptical parlor.
The guest house, meticulously built by Calvin Shewmaker and other local craftsmen, is now used for visiting scholars, including UK's annual Clay Lancaster Scholar.
"It's such an interesting collection of buildings and a lovely setting," Holbrook said. "We're trying to figure out how to get more people there to see it."